2006/08/13 03:02
良宵引 在<吳門琴譜>內的解釋:
最早刊於<松弦館琴譜>*1…此曲雖較短小,卻蘊含著籟靜窗虛,懷人不見及尾聲兩鬢秋霜的情境.
<琴學初律>*2後記有曰:”…起承轉合, 井井有條,濃淡合度,意味深長.”
<天聞閣琴譜>*3的解題:賀若弼*4所作. 當其天高氣爽,月朗星輝,可以彈琴味道,飲酒賦詩,此曲節短韻長,指法簡易,可為初入門之曲.
<琴譜析微>*5的後記:此曲雖止二段,然音韻大雅,有縹緲凌雲之致.彈者加意體認,自足怡情悅性,勿謂其詞減而忽之也.
註1:撰輯人 嚴澂(1547-1625),明朝人,撰刊於1614年,為<四庫全書>所收唯一明代琴譜,亦為虞山派代表琴譜
註2:撰輯人 陳世驥, 清朝人,撰刊於1894年
註3撰輯人,唐彝銘,清朝人. 撰刊於1876年
註4:賀若弼(543─607)字輔伯,河南洛陽人,隋代民間琴師.他的琴藝曾被蘇軾將其與陶淵明的詩相題並論:“琴裡若能知賀若,詩中定會愛陶潛.”
註5:撰輯人,魯鼎,清朝人. 撰刊於1692年
Liang Xiao Yin (Song of Pleasant Night), According to “Tian Wen Ge Qin Pu “*1, was composed by He Ruo Bi *2 (543-607), a Sui Dynasty Qin player. This piece was first published in “Song Xian Guan Qin Pu.”*3 It is a short qin piece, yet the structure is well-arranged and the melody is very elegant and peaceful. The finger techniques of this piece are easy enough for a beginner to start with.
*1, Tian Wen Ge Qin Pu was edited by Tang Yi –ming from the Qin Dynasty and was published in 1876.
*2, He Ruo Bi’s qin composition was once placed on a par with Tao Yuan-ming’s poetry by Su Shi: If one can find He Ruo in qin, one must love it as much as a Tao Qian poem.
*3, Song Xian Guan Qin Pu was edited by Yian Cheng from the Ming Dynasty and was published in 1614. This Qin Pu is the representative work of “Yu Shan” School of Qin music.
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